Modernism to Postmodernism: Art since 1970
HART253-02/HART553-02
Start Date
01/06
Time
–
Format
Remote
End Date
01/17
Meeting Day
Credits
3
This course will explore the transition from modernist thought as exemplified by the Abstract Expressionist movement to such postmodern notions of appropriation, parody, and fragmentation as they manifest themselves in the art of the 1970s and beyond. We will focus on such concepts and genres as minimalism, performance, video, installation and site-specific art, gender, sexuality and politics in the work of artists like Donald Judd, Richard Serra, Bruce Nauman, Cindy Sherman, Barbara Kruger, Robert Mapplethorpe, Keith Haring, Bill Viola, Jeff Koons, Tracey Emin, Mona Hatoum, William Kentridge, Andy Goldsworthy, Marina Abramovic, Matthew Barney and others.
MassArt BFA students prerequisites: HART 100 or HART 101.
This class uses the Moodle platform. There are no meeting times, but students will follow a syllabus that includes the lectures, assignments, and deadlines.
The instructions and login credentials for accessing MassArt technology services will be sent to registered students.
Adrian Kohn
Adrian Kohn teaches courses in the history and theory of modern / contemporary art, video art, and experimental film. Recent publications include essays on Larry Bell, John Chamberlain, Jan Frank, Donald Judd, Robert Irwin, and Kim Guiline. He is Professor in History of Art at Massachusetts College of Art and Design and holds a PhD … Read more